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    <loc>https://www.reelkinetic.com/field-notes</loc>
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    <lastmod>2026-09-09</lastmod>
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    <loc>https://www.reelkinetic.com/field-notes/pyxis-6k-bargain</loc>
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    <lastmod>2026-09-09</lastmod>
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      <image:title>Field Notes - FIELD NOTES #006:                                              The $2,245 Question:                                                  Is This Cinema Camera Really a Bargain? - Make it stand out</image:title>
      <image:caption>The Blackmagic PYXIS 6K. Now at $2,245, it’s easy to picture the possibilities. But what would it take to make it part of our kit?</image:caption>
    </image:image>
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      <image:title>Field Notes - FIELD NOTES #006:                                              The $2,245 Question:                                                  Is This Cinema Camera Really a Bargain? - Make it stand out</image:title>
      <image:caption>While on fire, stunt professional, Duffy McManus stands on a balance board and juggles flaming clubs—as someone off camera fires paintballs at him. Capturing unpredictable action like this is exactly why high frame rates and dependable autofocus matter to my work. Special thanks to the stunt design team at Action Factory for helping us safely bring this shot to life.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/cea464eb-60f1-40a5-8f66-4a30f54a6998/Field+Note-UNF-Tessler-new.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #006:                                              The $2,245 Question:                                                  Is This Cinema Camera Really a Bargain? - Make it stand out</image:title>
      <image:caption>When the action moves this quickly, there are no second chances. This is where 4K/ 120 fps and dependable autofocus earn their place in my workflow.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/0188afdf-3f69-40f2-b2c1-361eeab6575c/Field+Note-Decourcey-new.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #006:                                              The $2,245 Question:                                                  Is This Cinema Camera Really a Bargain? - Make it stand out</image:title>
      <image:caption>THE BEST CAMERA DEAL CAN STILL BE AN EXPENSIVE DECISION. My FX3 already gives me 4K/120p and dependable autofocus, while the 24–105mm gives me the flexibility to follow action as it changes. Together, they have proven themselves when the moment cannot be repeated. That is the limitation no price drop can erase: the PYXIS cannot give me 4K/120p—the recording capability I used to capture this moment and one that has become essential to my sports and action work.</image:caption>
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      <image:title>Field Notes - FIELD NOTES #006:                                              The $2,245 Question:                                                  Is This Cinema Camera Really a Bargain? - Make it stand out</image:title>
      <image:caption>A WIDE LENS DOESN’T JUST SHOW MORE. IT PUTS THE AUDIENCE INSIDE THE PLAY. From beneath the basket, the 14-24mm emphasizes height and reach while keeping the rim, players and crowd within the frame. A camera-system decision is about more than the camera body.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/6f594c29-6967-48de-869f-4282e8dd38b7/Sony-FX5-Featured.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #006:                                              The $2,245 Question:                                                  Is This Cinema Camera Really a Bargain? - Make it stand out</image:title>
      <image:caption>The Sony FX5 has my attention. Whether it earns a place in my kit depends on what it brings to the work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/2d151df2-2ad1-43d2-89c1-a9a509e965d8/Field+Note-+Tennis-new.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #006:                                              The $2,245 Question:                                                  Is This Cinema Camera Really a Bargain? - Make it stand out</image:title>
      <image:caption>A price drop can make me look at another camera. Moments like this remind me why I trust the one already in my hands.</image:caption>
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  </url>
  <url>
    <loc>https://www.reelkinetic.com/field-notes/why-reel-kinetic-films</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-09-09</lastmod>
    <image:image>
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      <image:title>Field Notes - FIELD NOTES #005:                                         Why We’re Becoming Reel Kinetic Films - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/1596ec36-8125-41ec-abbf-2edbd2b72e63/edit-field+notes4.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #005:                                         Why We’re Becoming Reel Kinetic Films - Make it stand out</image:title>
      <image:caption>From the cage to the timeline. Using Final Cut Pro and DaVinci Resolve Studio, we shape the footage through pacing, sound, and color to create a cinematic experience—a perspective even those watching live don’t get to see.</image:caption>
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    <image:image>
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      <image:title>Field Notes - FIELD NOTES #005:                                         Why We’re Becoming Reel Kinetic Films - Make it stand out</image:title>
      <image:caption>John Kreng, filmmaker and founder of Reel Kinetic Films, filming cageside at Up Next Fighting 34.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/f803f06b-3895-49fb-b9ca-896e0fec8063/01_Primary_Logo_Native_Website.png</image:loc>
      <image:title>Field Notes - FIELD NOTES #005:                                         Why We’re Becoming Reel Kinetic Films - Make it stand out</image:title>
      <image:caption>The Reel Kinetic Films mark—an imperfect circle reflecting the movement, energy, and humanity of the stories we tell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/3bd457bd-5aab-407e-a77d-585215d10aea/03_Horizontal_Lockup_Native_Website.png</image:loc>
      <image:title>Field Notes - FIELD NOTES #005:                                         Why We’re Becoming Reel Kinetic Films - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.reelkinetic.com/field-notes/2026/7/25/field-notes-004-reading-the-rhythm</loc>
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    <priority>0.5</priority>
    <lastmod>2026-07-30</lastmod>
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      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/8348e77f-3a3f-4d81-91fb-84da140f6267/DeCourcy+Vs.+Mellor-+UNF+34-+Ver.+2-field+notes9.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM - Make it stand out</image:title>
      <image:caption>Early in the fight, Geoffrey Mellor lands a clean shin kick to Blake DeCourcy’s head—a powerful piece of information delivered through impact.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/45c43c31-90ef-4c41-8f43-1774418a1979/DeCourcy+Vs.+Mellor-+UNF+34-+Ver.+2-field+notes4.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM - Make it stand out</image:title>
      <image:caption>Later, DeCourcy changes the exchange. He closes the distance, jams Mellor’s kick before it can fully develop, and turns the attack into a takedown. The technique presented the same problem. DeCourcy gave it a different answer.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM - Make it stand out</image:title>
      <image:caption>An Insta360 view from cageside at UNF 34 as I film the knockout ending the bout before DeCourcy vs. Mellor. There are no rehearsals, resets, or second takes in live combat sports. The camera can’t sense when the rhythm is changing. The person behind it has to.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM - Make it stand out</image:title>
      <image:caption>The fight happens only once. Inside the Final Cut Pro timeline, I refine the story I discovered cageside—shaping rhythm, color, sound, and emphasis so the audience can feel something close to what I felt in the moment.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM - Make it stand out</image:title>
      <image:caption>Me (center), with the late Yuen Cheung-yan beside me (w/hand in pocket) and members of the Hong Kong stunt team during production of an LA Times theatrical commercial spotlighting Master Yuen’s wire-action work. I served as Stunt Coordinator on the commercial, which was narrated by Ben Affleck. Master Yuen had also trained Affleck for “Daredevil.”</image:caption>
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      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/1785111694501-SXSQ94TUE8S7O5G3UZU5/DeCourcy+Vs.+Mellor-+UNF+34-+Ver.+2-Field+notes2.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/1785111724509-6SIA6NH22VH24S92VM0L/DeCourcy+Vs.+Mellor-+UNF+34-+Ver.+2-field+notes1.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/1785111750806-IVPZI8DC1NC8GTMMTSPC/DeCourcy+Vs.+Mellor-+UNF+34-+Ver.+2-Field+Notes10.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #004: READING THE RHYTHM</image:title>
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  <url>
    <loc>https://www.reelkinetic.com/field-notes/2026/7/7/beyond-coverage</loc>
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    <lastmod>2026-07-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/ab9253b0-d4da-44d9-af31-d08fb7ce4652/Field+Notes-Duffy+fire.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #003:  BEYOND COVERAGE - Make it stand out</image:title>
      <image:caption>Stunt Performer Duffy McManus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/1783098367582-L7EN5JVAI6C1HO6QDFI6/Titan-Field+Notes-New+Lines.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #003:  BEYOND COVERAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/c1e7b631-c9a0-43ee-bab1-9f1b7082f508/Prime+Motion+Technique+Perview-Title+Card.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES #003:  BEYOND COVERAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <video:video>
      <video:content_loc>https://video.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/717953e8-f33b-4d5c-ac9b-4d2a2d7b558b/playlist.m3u8</video:content_loc>
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      <video:title>Field Notes - FIELD NOTES #003:  BEYOND COVERAGE</video:title>
      <video:description>Watch the Welcome to Reel Kinetic Media Film</video:description>
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    <loc>https://www.reelkinetic.com/field-notes/a-dude-and-his-dog</loc>
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    <lastmod>2026-07-28</lastmod>
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  <url>
    <loc>https://www.reelkinetic.com/field-notes/2026/6/20/why-we-built-titan</loc>
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    <lastmod>2026-07-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/1b1d2573-23f5-4376-be08-9ba7323da940/Titan-2.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES # 001: WHY  WE  BUILT  TITAN - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a04d29aedaed8dff209ad93/56bfbbde-6742-4beb-a316-75a3017da360/Titan-3.jpg</image:loc>
      <image:title>Field Notes - FIELD NOTES # 001: WHY  WE  BUILT  TITAN - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <loc>https://www.reelkinetic.com/field-notes/category/Field+Observations</loc>
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    <loc>https://www.reelkinetic.com/field-notes/category/Production+Notes</loc>
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    <loc>https://www.reelkinetic.com/field-notes/category/Combat+Sports</loc>
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    <loc>https://www.reelkinetic.com/field-notes/category/Case+Studies</loc>
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    <loc>https://www.reelkinetic.com/field-notes/category/Gear+%26+Workflow</loc>
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    <loc>https://www.reelkinetic.com/field-notes/category/Sports+Storytelling</loc>
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    <loc>https://www.reelkinetic.com/field-notes/category/Filmmaking</loc>
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  <url>
    <loc>https://www.reelkinetic.com/field-notes/category/Behind+the+Build</loc>
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    <loc>https://www.reelkinetic.com/field-notes/category/Action+Language</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Newport+Beach</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Sony+FX6</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Editing</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Sony+FX5</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Sony+FX3</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Sigma+60-600</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Sports+Cinematography</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Hurricane+Narda</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/MMA%2C+Martial+Arts%2C+Combat+Sports%2C+Sports+Filmmaking%2C+Action+Cinematography%2C+Cinematic+Storytelling%2C+Fight+Choreography%2C+Stunt+Coordination%2C+Film+Editing%2C+UNF+34%2C+Up+Next+Fighting%2C+DeCourcy+vs.+Mellor%2C+Reel+Kinetic+Media</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/The+Wedge</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Live+Sports</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Long-Range+Cinematography</loc>
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    <loc>https://www.reelkinetic.com/field-notes/tag/Behind+the+Scenes</loc>
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